Thursday, 11 March 2010

Alice in Blunderland

I am a defender of Tim Burton’s Charlie and the Chocolate Factory. With the exception of the Oompah Loompahs, I think the film is superior in almost every way to the Gene Wilder version. The design work is marvellous, the script is darkler, funnier and more inventive, yet still emboduies the spirit of Dahl’s story better then the original film. And the acting, from the entire cast is just note perfect, including a fantastic, very specific performance from Depp that I think is one of his strongest.

This is a slight preamble to say that I was pre-disposed to liking Burton’s Alice in Wonderland. It seemed like a good fit for all involved and my interest went up several fold when I heard that this wasn’t a straight re-tread of the book but was something of a sequel/reimagining of the original material. I have had Frank Beddor’s The Looking Glass Wars sitting on my shelf unread for about three years and this seemed like an equally interesting take on Carroll’s brilliant story. Although I wasn’t all that enthused by some of the design which had been released, I still held out hope.

Well, I was spectacularly wrong.

This is an example of a film in which almost every single artistic decision was a mistake. This script is an appalling piece of wanky fantasy hog-wash. It completely misses the charm and intelligence of the original Alice material, and instead turns it into another ‘Prophesised Hero’ storyline that is almost completely at odds with the spirit of the original books. I could, perhaps, have forgiven this blundering plunder of such a wonderful source material if Linda Wioolverton had managed to craft something witty or exciting. But her writing is spectacularly incompetent, layering ridiculous plot contrivances on top of pathetic dialogue and completely inept attempts at characterisation. The film is nothing but a re-hash of Hook, and as despised as that film is, it at least shows a glimmer of understanding about what makes the original Pan stories work. Compare Alice to PJ Hogan's magnificent Peter Pan from 2003 for an example of just how to get this type of complex material to work.

I’m not going to rabbit on about this too much. Of the actors, only Helena Bonham Carter really registers (and Johnny Depp in particular is terrible – a career nadir for him in which he doesn’t seem to have a single interesting moment in the entire film). The design is ugly and squalid and the finale pathetically undercooked. It’s the worst film I have seen in a long time and I would politely suggest thast Burton take a break from directing for a while because it seems clear that he needs to refresh his obsessions.